Folks, it’s time for a little sewing history lesson…

The Works Progress Administration (rename Work Project Administration in 1939) was created in 1935, and employed millions of people–especially in the rural West and Appalachia and other mountain regions–following the catastrophic downturn of the U.S. economy resulting in the Great Depression. What many people don’t know about the WPA is that a sizable number of people put to work during this time were women, around fifteen to twenty percent of WPA-participants. They were considered unemployed heads of household for a variety of reasons, including abandonment or a husband’s death or disability–and the lack of jobs caused many men to seek jobs far afield, thus allowing women to participate in WPA programs as their only source of family income. Almost every single female WPA participant, with the exception of the very small Professional Division, was involved in a sewing project of some sort. Later in the program, bookbinding was added to the WPA program, and women were engaged in that activity as well. Interestingly, while the WPA made the intentional decision to pay women and men the equally for the same work, sewing–and eventually bookbinding, were the lowest paid positions available. Since most women at that time were still sewing by hand, they received training in using sewing machines. Once they became skilled with the machines, they were put to work making clothing, bedding and supplies for hospitals and orphanages.

The poster above, from the Library of Congress catalog, was used to advertise the positions using sewing skills available to women in Ohio via the WPA. Note that “Power Machine Operator” is highlighted at the top of the poster.

~Sarah

Note: I am likely going to make “Sewing Heritage” a semi-regular series here. I’m personally interested in the subject, and have been for some time—even prior to our post of the same title. I have both a B.A. and an M.A. in Women’s Studies and my focus was on history (at one point, I seriously considering getting a PhD and going into academia)–and for a long time I was very interested in women and the small craft and big-time garment industries, both in the U.S. and abroad, past and present. Anyway, I figure that this is as good of place as any to share both a bit of my knowledge on this topic and some of my finds (the LOC image library is amazing). Let me know what you think!