1957 Redlegs Jersey – Or, the Reason I Learned To Sew
One of the reasons I got into this whole sewing thing is that I wanted to make my own baseball jersey. I have been obsessed with having an “authentic” looking flannel for sometime, but I am not the type to spend $250+ on an article of clothing, no matter how cool that I might find it. On our trip to Washougal, I found a lovely piece of white wool flannel (cream might be a more accurate description) and had in my mind a multitude of potential uses. However, that piece of fabric sat in the box of potential projects for a long time, mostly because I wanted to make something “perfect” or truly “authentic” looking.
I spent the better part of a year looking for a pattern, but too no avail. Sarah and I went round and round about how it was such a simple construction that I didn’t really need a pattern, but for some reason I held onto this five dollar piece of wool like I would never find another. Inspired by a cold winter, and a need to get back into sewing, I decided to go for it. Sarah and I made a pattern by using Swedish tracing paper and an old jersey that I had (let’s be clear, this in no way was a $250+ piece of clothing, it is a jersey made out of sweatshirt material, it was cheap and huge and I have never worn it). Basically, the “pattern” is a simple shirt with a wide, curved facing that goes all the way down the front and around the neckline.
The next step was to find a jersey to replicate, and of course I wanted to do my Cincinnati Reds and I thought there was no more appropriate players’ jersey to wear than Frank Robinson. Robinson was one of the original bad-asses in C-town and in one of the worst trades in baseball history was traded to the Baltimore Orioles because the Reds said he was an “old” thirty. The very next year, he hit for the Triple Crown with the Baltimore Orioles and continued his Hall of Fame career. Robinson eventually became the first African-American manager and later managed the inaugural season of the Washington Nationals, where his old school hard-assness was refreshing as a baseball fan to see.
I choose the 1957 uniform after looking through the baseball Hall of Fame’s Dressed to the Nines exhibit. I liked two things about this — that it’s vest and that I would be able to cut out the logo from felt by hand and have it look good/authentic. This is one of the seasons that the Reds were known as the “Redlegs,” so as not to appear that they were the Communist team. Put all of these together, along with the irony, and coolness came together in a perfect storm.
Making the jersey was pretty quick and painless, especially without sleeves. I decided to bind the sleeve holes with shinny cotton bias strips (Oh yeah new skill, making bias strips!). While it is hard to tell if the sleeves were actually bound in the original, I really like the look in my version. I made the logo and the numbers out of a wool-rayon blend felt. I have used acrylic felt on other things and frankly the wool-rayon blend, while a little more expensive, looks and feels so much better (the 100% wool felt is too rich for my blood). To get the size of the numbers and positioning correct I used the Liebe Apparel web site, which has a fantastic guide on numbering and lettering sports jerseys.
All in all, this was a fun project, and for less than $20 I had my throwback jersey and accomplished something that I had set out to do in the beginning. I was lucky to find the a nice piece of flannel in flat folds table, so most of my money was spent on felt. Sarah and I had so much fun figuring this out that we are going to do a Video Threads episode on DIY baseball jerseys (of course I will make the road gray jersey). And down the road, I think I will also try designing a vintage-looking hockey jersey as well.
~Josh
Bingo, Bango, Bongo!
That post title doesn’t really mean anything, but it’s a quote from the great Bill Schonely, the best play-by-play announcer of all time. When someone would do something really awesome, The Schonz would randomly shout, “Bingo, Bango, Bongo!” There were other things, too. Like, “Rip City!” or “Ocean to Ocean…” or “Lickety Brindle up the Middle.” I listened to him call Portland Trail Blazers games on the radio my whole life, and no on will ever be as awesome as The Schonz. Seriously, Josh and I saw him walking down the street last year and I literally started hyperventilating. He’s that rad of dude.
Anyway, this post is about a T-shirt I screen printed and embroidered, but you’re going to have to humor me a bit while I digress…
It’s been well established that I’m a crazy fan of Portland Trail Blazers basketball. And keep in mind, Trail Blazers fans are a special breed of crazy in general, so that’s saying something. This season, we are actually season ticket holders. We have seats waaaaaay up in section 322 to each and every game this year. This is going to sound cheesy, but this is actually a life-long dream of mine. When I was a kid it was nearly impossible to get tickets. When Josh and I moved back to Portland, no one was going to the games, because of the whole Jail Blazers thing, and we were able to score all kinds of free or deeply discounted tickets (great seats, too). So we went a lot. (An aside: for the longest time, I thought that if I was at the game, the Trail Blazers couldn’t lose–it wasn’t until Portland played the stupid Clippers that season that I attended a Blazers’ loss.) That year, 2006-07, was Brandon Roy‘s Rookie season–he eventually become Rookie of the Year, Ime Udoka made the team (he’s a Portlander) and Nate McMillan was coaching. The vibe was changing, and fans kind of knew that it was Zach Randolph‘s last season before he was traded. Portlanders knew the team was changing–and something good was going to happen. Then Portland won the #1 pick in the 2007 NBA Draft.
Blazermania was back.
Dayton Triangles Redux Hoodie
What do you get when you combine screen printing, applique, sewing, refashioning, vintage sports uniforms and a little bit of crazy?
Me.
With autumn bringing cool weather, I needed a new hoodie to wear (by the way, sometime we’ll have to ask Sarah to write about her hoodie addiction). For inspiration, I wanted it to look like the old Dayton Triangles jerseys from the 1920s, because I am from Dayton and I like stripes and appliqués. And I really like any excuse to screen print just about anything.
Why the Dayton Triangles? Well, my dad remembers them playing at the park near his house when he was growing up in Dayton, Ohio in the 1950s.
I started out with a plain gray hoodie and used tape to create the stripes I wanted. I then used a blank screen to spread the ink. (Which made one hell of a mess.) After drying, I was left with even stripes on both sleeves.
I really can’t believe this actually worked.
To make the bottom half of the hoodie navy–after briefly considering screen printing the whole bottom–I wisely bought a navy crew neck sweatshirt and cut it underneath the armholes, I then cut the gray sweatshirt two inches under the armholes to give it more length, (one and a half inches with the seam allowance).
On the chest, I made a simple triangle out of wool felt and stitched it onto the a larger white piece of felt and then sewed it onto the front of the “jersey.”
This was really a quick and easy project, except for the long drying time of the sleeves. With the cold weather coming, it looks like I am going to get back on the sewing machine and out of the garage (where we screen print).
~Josh
Spring Training
As you may know, I love baseball and I especially love old school baseball uniforms and hats (oh yeah and jackets and sweaters and stir-ups, oh my). While I am happy for spring training to have started, I do feel a little distant from my favorite game. Another bad year for my Reds is definitely on the books, and goddamn, I am sick of steroids. With my newfound love of the Blazers, I don’t need baseball to signal the new year. After working diligently to make Sarah’s idea hats realties I decided to tackle making myself a baseball cap.
Using the basic set of skills acquired from the Idea Hat Recipe book and the remains of an old hat that I ripped apart for pattern pieces, I set out to make myself a hat in the style of the early 20th century baseball. My first attempt was a lovely red wool number that unfortunately looked more like a bicycle cap than a baseball cap, with its bill pointing straight down. There was a really great look to the cap, unfortunately, trying to fix the hat and make the bill more symmetrical, I totally cheesed it up and had to ditch it. This sucked for a number of reasons, it had a great look to it and had already been to its first Blazer game, you know one of those “the path to hell is paved with good intentions” kind of deal. (Note: Sarah is still pissed at me for wrecking this one—it looked really good.)
This first example is what I am now calling “The City” hat (the “P” on the front for, you guessed it, Portland). Instead of doing the mathematics (err, liberal arts major that I was) I decided to guess and added an inch of length to the pattern pieces left over from the dearly departed hat from the last paragraph. Since I was guessing the hat turned out to be an enormous size. To get it to fit I added an elastic band which gave “The City” a cool look with a “baggy” style cap with a really 19th century bill. It took me a couple of days, but I really have grown to love the damn thing.
Being that I really wanted to make an authentic cap I sat down at the kitchen table Saturday with the French curve, a piece of scrap paper and my thinking cap, in the guise of my previous hat. I took the circumference of my head, divided it by six (the number of panels) and added a seam allowance. I used the French curve to make the triangular shaped panels. After sewing the body of the hat together I tried it on and walked dorkily around the house with a nicely fitted unfinished hat. All baseball hats have vents, in the last hats I used the eyelet function on the sewing machine to make them in, with this hat we used Sarah’s lovely new “Crop-a-Dile” to add metal eyelets, which were sweet. I added the bill and used satin ribbon to make the band. After all the math, sizing and thinking, it was still too big, which meant a piece of elastic sewn into the back two panels to pull it tight. I wore this around Sunday and have decided to re-make the headband out of cotton, satin feels nice for a while but is too weak and just basically doesn’t work.
I probably should mention that the wool I used for these hats was from the scrap bin at the Pendleton outlet in Washougal (we rushed up there one Sunday afternoon to get there before they closed—how dorky is that?), which totaled $4 for two hats that are wearable and two that are now in the trash pile. To make the bill, instead of using cardboard or plastic like modern hats, I used a piece of buckram and fusible fleece which makes a bill that is shape-able and works really well for the short brimmed style. If I were to make a more modern (like say the 1940s) hat, I would use a harder material because it allows for the hat to pull tighter on your head. I will probably be making a lot of hats for the next couple of days, (indeed there is a half finished “Idea Hat” for Sarah sitting on the table).
Sarah and I went down to Civic Stadium (actual name PGE Park—Sarah calls it Civic Stadium because that’s what it was called when she was growing up here in Oregon) to take some pictures.
We missed the big college baseball games from the weekend, but take a look at the Oregon State Beavers’ new uniforms. A nice retro style, with the contrasting colored facing which the Sewist has informed me is going to be really cool this year (she actually follows these trends). I just want the socks!
I am trying to decide what to do with a beautiful piece of cream-colored wool flannel, either an old style baseball jersey or a hat like the Babe’s.
~Josh
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- Cool PDX Event: Heather Ross at PNCA
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- Join Us on the City Quilts Blog Tour
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